Dead Late took place on Thursday 7 November 2013 at Brighton Museum & Art Gallery as part of the Museum’s Late series, which aims to encourage a wider range of audiences coming into the museum after dark.
We had cocktails, face paint, DJ, costume, craft, performance, music, calaveras writing, and a special graveyard with skeletons and dancers. It was a fantastic night of fun and we can’t wait to do it again!
We are delighted to get a short film of our Latin Voices Live! family day, which took place recently on Saturday 9 November. The event was bigger than ever, spanning across Brighton Dome, Brighton Museum and Jubilee Library, from 11am until 5pm.
The film captures a bit of everything from the day including:
Marta Scott Dance Company
Arts and crafts workshop with Linda White from Viva Mexico!
Cuban band Son Guarachando
James Burt reading Borges at Borges-a-thon
And lastly Chilean writer Luis Munoz reading from his memoir Being Luis and talking about his life as a torture victim and survivor.
The majority of the film focuses on the reading and talk from Luis, including a reading from the book when he and his younger brother were looked after when abandoned by their father by a criminal called Satan, who ruled the grocers markets, and later when Luis ran into his father on the eve of the military coup. An emotional reading and discussion is captured on this edit, in which audience members relate and probe the person Luis was and who he is now.
I’m very happy to present to you photos from Paul Jackson and Bip Mistry and film from Joel Shepherd featuring the live lit performances from creative writers Priti Barua, Umit Ozturk and Lynne Blackwood. They performed for the first time on 24 January 2013 at Nightingale Theatre as part of our new live lit programme called Incubate.
Since 14 December, they’ve had the opportunity to work with BAFTA-nominated, Perrier award winning writer and acclaimed producer Stuart Silver to turn their original writing – everything from one-page scripts, a short story and an even flash pieces – into live lit performance fit for the stage. They rehearsed for 4 days in the studio, and I know put in a lot of time and hard work to produce some excellent results. See Lynne Blackwood’s account on our site about what the experience was like.
Stuart Silver, Producer, says: ‘Working with such obviously talented writers is a thrilling process, and Priti, Lynne and Umit have leapt into the challenge of turning their wonderful writing into performance as a first step to developing live literature works with dynamic shifts, risk, surprise, wit and warmth.
‘For the two days we’ve spent together, there is of course so much to explore with such richly nuanced texts and we’re thoroughly looking forward to seeing these three pieces performed for an audience for the first time. It’s obviously an essential experience from which, with continued mentor support they can further develop the pieces and explore the performance techniques we’ve all been setting in place.’
The night of 24 January was packed out with audiences – yes, a sold out night! – and we saw moving, daring, and humorous performances from all three writers. If you missed it, not to fear, as we have videos of Umit, Lynne and Priti, plus a special 2.5 minute promo video of all three. Plus we also have photos on our Facebook page and on Flickr, so have a look and enjoy.
We expect to see more from these three writers in the near future!
A final thanks to Steven Brett at the Nightingale Theatre for supporting this programme, Akka Ali, who was the INCUBATE coordinator, and Sarah Lee, who is mentoring all three writers to help them get funding to continue their writing developments.
Umit Ozturk performing ‘Who do you think they are not?’
Umit’s humorous short play “Aunt’s Agony” is about a person working in a call centre who’s trying to sort out people’s problems from around the world and tackles the issue of cultural diversity – and cats!
Umit Ozturk says of the residency: ‘Incubate helped the flames of my passion for stage to reincarnate! In this piece of stage performance, I am hoping to have a witty look at the perception of the diversity of cultures in the society, with a particular focus on the Mediterranean region. I would like to ask the audience this question with a loud smile: “who do you think they are not?” and help them in finding the answers.’
Lynne Blackwood performing ‘The Lesson in Dhansak’
Lynne’s piece is based on a short story called “The Lesson in Dhansak”, which is the only piece of Lynne’s writing to be drawn from a personal experience. Her story powerfully combines her Anglo-Indian community’s loss with being different in a hostile country and her father’s valuable lesson to her as child about life and how to overcome difficulties.
Lynne Blackwood says: ‘Working with Stuart has been a liberating experience for me. His nurturing brought out talents I wasn’t yet aware of and allowed me to express myself in a confident way, despite the physical limitations. His observations also allowed me to look at my work in a different manner and to see where improvements to the original short story could be made. Thank you INCUBATE, Amy and Stuart!’
Priti Barua at Nightingale Theatre
Priti Barua says of her experience on the residency: ‘I have been positively inspired by the INCUBATE residency, the insights and guidance of Stuart Silver and the support of fellow writers and mentorship is invaluable. As a result I am becoming more conscious of the power of the spoken word and my deeper desire to connect with the audience in effective dialogue, both silent and spoken. It is both daunting and exhilarating to think that the words written in silence will take on new meaning in the theatrical space and I hope give me the courage and confidence to keep writing!’
INCUBATE 2012 promo video
The incredible Patience Agbabi reads from her remake of Chaucer’s Canterbury Tales, soon to be published and tentatively called Canterbury Remix as well as from Bloodshot Monochrome (Canongate). You can grab a copy from Amazon or other fine booksellers.
Bloodshot Monochrome is a glorious poetic take on all things black, white and read. Reinventing the sonnet, Patience Agbabi shines her euphoric, musical lines on everything from growing up to growing old, from Northern Soul to contract killers, from the retro to the brand new. Whether resurrecting the dead in ‘Problem Pages’, playing out noir dramas in ‘Vicious Circle’, or capturing moments of her own life in perfect snapshot, Agbabi’s verse is sublimely lyrical and spiked with gleeful humour.
This Friday, Nigerian storyteller Rounke Coker delighted us with this story, set in Lagos, about a main character’s brother who has a strange fascination with insects, animals and particularly a pet crocodile. The story is rich in detail, aliveness and a visceral sense of language – as well as being plain damn funny.
The evening’s reading was set in the captivating Hastings Museum – a place highly recommended for a visit. The event, partnered with local African festival of arts and culture, Afrikaba, also featured Kent poet superstar Patience Agbabi, who is on the brink of publication for new work, tentatively titled Canterbury Remix….watch this space. In the meantime, sit back and enjoy this incredible story from Rounke, who we are sure to hear again at future readings in Sussex (14 October, Nightingale Theatre)….and read in print very soon.
Rounke Coker – Friday 5 October, Hastings Museum – Part 1
Rounke Coker – Friday 5 October, Hastings Museum – Part 2